| Glossary | |
| Accessories |
Items that enhance the aesthetic appeal or function of a garment including belts, scarves, bows, pins or other objects. |
| Adhesive | Synthetic resins, such as polyamides, polyesters and/ or bond layers of fabric together |
| Appliqué |
Emblems, cut fabric shapes, figures or motifs that are
superimposed and sewn or fused to
garment components. |
| Art-silk | Early name for fabrics made from synthetic fibers, usually rayon. |
| Badaam | Almond, A textile term for elliptical shaped motif. |
| Bandhani |
A kind of tie and dye work( popular in Rajasthan and Gujarat) |
| Bias |
Any direction in the fabric which does not exactly flow in the direction of the
weft yarn (vertical yarns) or warp yarns (horizontal yarns) of a fabric. A true
bias makes an angle of 45 degree across the length and width of a fabric,
fabric cut on a bias has maximum stretch. |
| Brand name |
A word, term or logo used for identification. |
| Brocade | Figured textiles with the patterning woven in supplementary, usually discontinuous, weft threads. |
| Buta | Large, usually floral or foliate motifs created in corners and end pieces of sari . |
| Buti | Small, usually floral motifs created as a repeat against a plain ground. |
| Design |
A specific or unique version of a style; the innovation aspect of product
development. |
| Draping |
Draping means to hang or to adorn the body form with loose fabric, and to
obtain a body fitted garment by using adequate sewing techniques. |
| Dupatta | Veil worn with salwar kameez. |
| Embroidery |
An art form that uses close or overlapping stitches to form intricate,
three-dimensional surface designs to embellish piece goods, trims, or garments. |
| Fad |
Short lived fashion are called fad; They seldom have any lasting Impact on
future fashion. They are briefly and suddenly seen everywhere and just as
suddenly they vanish. |
| Fashion |
A continuing process of change in the styles of dress that are accepted and
followed by a large segment of the public at any particular time. |
| Fashion change | Changes in color, styling, fabrication, silhouettes and performance to reflect fashion trends. |
| Fashion Forecast |
To predict of foretell future fashion tread for a specific period of time. |
| Finishing | Processes required to give a garment its final appearance; thread trimming, wet
processing, garment dyeing and final pressing. |
| First pattern | Original paper pattern created from the designer’s sketch, draft,or drape, and specifications. |
| Frey | Threads which come out from the fabric during handling. |
| Ghaghra | Full-gathered sewn skirt worn by nomadic and other ethnic groups in western India. |
| Kamdani | Embroidery using fine zari. |
| Haute Couture | Hi-Fashion garments .It’s extravagant, it’s Unique and it’s totally unaffordable. |
| Hue | Shades and degrees of color. |
| Lahenga | Skirt or lower wrap. |
| Laheriya | Waves, Striped tie-dye pattern. |
| Meenakari | Inlay or enameling .Supplementary colored silks woven onto a golden ground. |
| Ornamental stitching | Stitching on a single ply for decorative purposes. |
| Ply | Single strand of yarn; single layer of fabric. |
| Resham | Persian-derived word for silk. |
| Salwar | Baggy trousers usually worn with a kameez, traditionally by western Indian
Muslims but now by many urban young women of all religions. |
| Screen printing | Process of applying a dye or pigment paste through a mesh stencil to produce a surface design. |
| Seam | A series of stitches used to join two or more pieces of material together. |
| Zardosi | Embroidery using zari, both muka and kamdani. |
| Zari | Gold-wrapped thread, usually a core silk or cotton thread . |
| Trims | |
Trims are material used to ornament or enhance garments. They are visible parts of garments that may be used to increase hanger appeal, provide product differentiation, relate to current fashion trends, and carry a theme through an entire collection. |
|
| Piping
– Piping is a covered cord that forms a raised edge along seams. |
|
| Laces- Laces are
often used to trim necklines and sleeves, particularly of sleepwear, infant and
toddler dresses. |
|
Embroidery, appliqué and
screen printing are applied to garment piece goods, garment components and
trims to create special visual and textural appeal.
|
|
| Lining material | |
Cotton and rayon are used in lining because of their hand and absorbency. Cotton lining is most often a fashion fabric used as part of a component or to match shell fabric. |
|
| Fibers | |
Chiffon- A plain weave, filmy, fine silk singles. They are highly twisted with a thread count of about 43 warp/43 weft per centimeter. |
|
| Georgette
: A fine, transparent plain-weave silk crepe with a lower thread count than
chiffon about 40 weft/40 warp per centimeter. |
|
| Man-made fibers-
Fibers created artificially, either reconstituted from cellulose (rayon) or
completed synthetic (such as acrylic and polyester). |
|
| Muslin-Fine, sheer, often transparent cotton fabric. | |
| Organdy-Light, fine, transparent, plain- weave cotton muslin with a permanent crisp finish. | |
| Organza-A fine, transparent, stiff plain-weave silk or rayon fabric. | |
| Raw Silk- Under gummed silk; where the sericin has not been removed from the filaments. | |
| Silk- Natural fiber produced by silk worms. | |
|
Synthetic fibers- Those fibers created from
chemicals based on oil or coal residues, which are extruded through tiny dies
to create long continuous filaments. The most well known are nylon, acrylic and
polyester. |
|
| Crepe- A textile
wherein all or some warp and/or weft threads are given a high twist, in the
same or alternating directions consequently, they ‘retwist’ onto
themselves when not under tension, giving a crimped texture to the
finished fabric. |
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